Monday, April 25, 2011

Team Awesome


PLASTIC FLAMINGO THEATRE COMPANY
INVITES YOU TO ATTEND A STAGED READING OF

TEAM AWESOME (A PLAY IN VERSE)
BY ROSS EVANS

MONDAY APRIL 25TH

PLEASE ENJOY THE BAR AT THE THEATRE @ 6:30

READING BEGINS AT 7 @UNDER ST. MARKS
94 ST. MARKS PLACE [1]
BETWEEN 1ST AVENUE

ELLIOT'S WRITING. JOSHUA'S POETICALLY
TRANSCRIBING. NAOMI'S PLAYFULLY DELIGHTING. WHILE ADRIENNE IS IGNITING WHAT MIGHT THROW THE WHOLE BALANCE OUT OF WHACK. TEAM AWESOME
(A PLAY IN VERSE) IS A LINGUSTICAL, FAMILIAL ATTACK._

FEATURING: SARA ANDREAS*, ERIN AUSTIN*, MICHAEL GURRIERI*, AND JOSHUA ROBINSON

STAGE MANAGER: BEKAH HERNANDEZ

DIRECTED BY RACHEL PARK

*DENOTES MEMBERS OF ACTOR'S EQUITY ASSOCIATION

THE READING IS FREE, BUT SEATING IS LIMITED.

FOR YOUR RESERVATION PLEASE EMAIL US AT
PLASTICFLAMINGOTHEATRE@GMAIL.COM

www.plasticflamingo.org

Saturday, April 16, 2011

Spoken Word, Team Awesome, and all that


So apparently April is National Poetry Month. We couldn't have picked a better time to bring you the world premiere of Team Awesome- a play written entirely in verse.

Ross first introduced me to spoken word poetry about 2 and a 1/2 years ago. He got me watching a lot of Def Jam poetry. (This one is my favorite he showed me.) I dare you not to watch it and smile.
http://www.youtube.com/watch?v=bZsmneEtdWU
Of course NYC is the epicenter for almost all art forms. (Yes, I'm a snob.) So, we started seeing some live spoken word, slam poetry, and other forms of rhyme-age. Here are some of the best places to check out live poetry in the city.

Nuyorican Poet's Cafe: The Nuyorican presents groundbreaking works of literature, music, theater, performance art, poetry slam, hip hop, visual art and champions established as well as rising artists from every background imaginable.
http://www.nuyorican.org/
Bowery Poetry Club: Poetry, Comedy, Theatre, Beer, Repeat: Poetry, Comedy, Theatre, Beer.
http://www.bowerypoetry.com/
KGB Bar: Admission is free, drinks are cheap and strong, and the level of excellence is such that KGB has been named best literary venue in New York City by New York Magazine, the Village Voice, and everyone else who bestows these awards of recognition.
http://www.kgbbar.com

And of course, check out Team Awesome on 4/25 at Under St. Mark's. It's a great play and I'm honored to be a part of it and have our company bring it to life next week.
http://www.facebook.com/#!/event.php?eid=137748046297458

yours in rhyme and rhythm,

ea

Wednesday, April 6, 2011

Photos from our Fit reading






Alright guys, I am no photographer of any sort. However, I took pictures of wonderful actors. In case you missed the reading, here are some rehearsal shots of Fit.
By Erin Austin
Featuring: Anthony Comis*, Lauren Connolly, Elliot Crown*, Joseph Rende, Harmony Stempel, Molly Stoller
Musical Direction: Jonathan Cody White
Directed by Ross Evans

Wednesday, March 30, 2011

Interview with Sara Andreas


Sara Andreas is currently performing in Catch Me If You Can at the Neil Simon Theater. She was recently seen on the First National Tour of Legally Blonde (u/s Serena, Margot, Pilar, Brooke), and is a founding member of The Plastic Flamingo Theater Company. She took a few moments to catch us on up on her Broadway debut.


Ross Evans: Can you tell us a little about Catch Me If You Can and your involvement?

Sara Andreas: It's based off the movie with the same name (sans the musical part of course). I am swinging the show, which means I am not on stage every night, I am just there in case someone gets injured, or falls ill, or is on vacation, etc...

Ross Evans: So as a swing, how many roles does that mean you cover?

Sara Andreas: I cover 10 tracks in the show.

Ross Evans: Wow. That's insane. Memorizing that many tracks has to be one of the toughest jobs in all of theater. For which part are you most excited to go on? Which are you most dreading?

Sara Andreas: There are three tracks in the show that are the belt your face off black girl tracks. Wait, is that not PC?

Ross Evans: We will allow it.

Sara Andreas: Good. Originally, they scared the crap out of me. But funnily enough for the past two weeks, I've been on for one of those tracks, and it's been SO fun! I mean don't get me wrong, I was scared s***-less the first night I went on but now it's fun.

Ross Evans: Being un-PC is fine, but we will edit out the swearing.

Sara Andreas: Fair.

Ross Evans: Now, between them, your creative team shares 11 Tony's can you tell us what's it's like working with such theater Royalty?

Sara Andreas: It's f**** amazing!

Ross Evans: Swearing.

Sara Andreas: Sorry. I don't think I have an intelligent enough vocabulary to describe it properly. First off, Jack O'Brien is a genius! The way he describes things is amazing! Marc Shaiman and Scott Whitman are brilliant as well, and the coolest people you'll ever meet! And well Jerry, let's just say I am obsessed with him! The way he creates really astounds me, he has a hundred ideas for every section of the show and 99% are good ones. He's so good at telling the story through dance, and so fun and wonderful to be around. All of them work so well together, it's really astounding!

Ross Evans: Sounds like quite an experience. So, working on a new musical is always a daunting task, can you tell us how the show has changed from it's first rehearsal until now?

Sara Andreas: It's actually changed quite a bit since rehearsal started. Numbers have been completely cut out of the show, choreography is constantly being changed, as well as scenes and songs. Since we're still in previews we have rehearsal every morning from 12-5, where we change entire numbers and implement the new changes in the show that night.

Ross Evans: And then re-memorize those changes for 10 different tracks?

Sara Andreas: Exactly.

Ross Evans: You're a rock star.

Sara Andreas: I know.

Ross Evans: Can you tell us what it was like stepping into a Broadway theater, and thinking "I get to perform here every night?!".

Sara Andreas: Probably one of the best feelings I've ever felt. Even better was the moment right before I ran onstage my first night on. I almost started crying (out of happiness obviously) and then realized I had an entire show to do, so I better suck it up!

Ross Evans: You only get that moment once, and I can't even imagine how special it must feel. Now to the tough stuff -- With such an exciting season on Broadway this year, can you give us three reasons (besides seeing you) to catch Catch Me if you Can?

Sara Andreas: My favorite thing about the show is that it's a father and son love story. And not in the creepy catholic church kind of way. It's a relationship you never really see addressed in musical theater and Norbert and Aaron, are really quite amazing. Also the choreography and music is nailing it! It's a really fun show!

Ross Evans: Finally, now that you are a big Broadway star, are you still pumped to do PFTC shows for little to no money? (We need it in writing)

Sara Andreas: Dzuh, as long as you give me more then three lines Ross!

Ross Evans: Not to worry. I wrote you a new scene today. Well, we couldn't be happier for you, Sara. We are all proud as can be at Plastic Flamingo, and can't wait to check out your Broadway debut.


To purchase tickets to Catch Me If You Can visit http://www.ticketmaster.com/artist, or/1515546?camefrom=CFC_NED_CATCH_TICKETS, call (877)250- 2929, or go to the box office at Neil Simon Theatre (250 West 52nd Street)

Thursday, March 24, 2011

Plastic Flamingo Theatre Presents Fit


FIT
by Erin Austin

MONDAY MARCH 28th at 7 pm
@ UNDER ST MARK'S
94 ST. MARKS PLACE
BETWEEN 1ST AVENUE & AVENUE A

Three generations of women, Celtic music, and a mystical meeting. Fit is about the identity of beauty… and the beauty of identity.

Featuring: Anthony Comis*, Lauren Connolly, Elliot Crown*, Joseph Rende, Harmony Stempel, Molly Stoller

Musical Direction: Jonathan Cody White

Directed by Ross Evans

*denotes members of Actor's Equity Association

SEATING IS LIMITED. FOR YOUR RESERVATION PLEASE EMAIL US AT

PLASTICFLAMINGOTHEATRE@GMAIL.COM

www.plasticflamingo.org

Join us after the reading for a drink next door at Vbar St. Marks!
http://vbar.net/vbarstmarks/

Monday, March 21, 2011

Unofficial Offices: Gizzi's


First of all, we have no idea how to pronounce the name of this coffee shop. The mystery lies in that first elusive letter. Is it a G like in the word "guesture"? Is it a G like in the word "Guinness"? The Frat boy in me really hopes it's the first kind of G. And that's how the Flamingos pronounce it.

Gizzi's is the greatest coffee shop for a theatre company meeting ever. Trust us, we've tried most of them.
http://www.gizzisnyc.com/


Here's a list of why we love working/meeting/and spending time at good old Gizzi's.


* 's denote the bonuses that for whatever reason do NOT apply to Ross Evans.

-Free Wi-fi
-* Friendly service. They will even bring your food/coffee to you.
-They have a flat screen TV that played muted silent films and cartoons.
-Their "large" cup of coffee comes in a soup bowl with a handle. I don't joke about these things.
- They play a fantastic Fiona Apple-heavy mix.
-They have amazing chocolate croissants. * They heat them up for you for extra great-ness.
-Super location in the W. village. En route back to the subway station you have to pass the pet store on 6th avenue with the puppies in the window.

Monday, March 7, 2011

It's UM's showcase week..it's PFTC's FOUR year anniversary






So the UM showcase is today. Break legs, you talented kids, you. More info here: http://www.facebook.com/#!/pages/UMiami-NYC-Showcase/129878253747805

A performance like this makes old people (us) nostalgic. Here are a couple of pictures of us during our showcase week. March 2007: This was the first time Plastic Flamingo hit NYC as a unit. Four years later we are bigger, more opinionated, and still great friends. That's worth a celebration.

Captions from top picture to bottom:
*Warming up inside the Time's Square McDonald's post MTC's brilliant production of Blackbird.
*Student rush seats to In The Heights at the late 37 Art's Theater.
*Snow in the village. Back when we still took pictures of snow...
*The Slaughtered Lamb
*Priceless-ness